Music: Corprès
Design poster 2026 Tour
This poster was conceived as a visual translation of noise music and free improvisation into graphic language. The composition originates from a fragmented image of a table covered with pedals, cables, and sound devices — the physical landscape where the music is generated — reinterpreted through an extreme high-contrast treatment that distorts the object and transforms it into texture.
The radical black and white palette removes any descriptive reading and turns the image into raw matter. Forms fracture, dissolve, and vibrate; cables become nervous lines cutting through the space like sound waves or expressive ink strokes. The manipulation creates a visual noise that mirrors the unpredictability and intensity of the live performance.
Formally, the piece draws from DIY fanzine aesthetics, with clear references to adult and raw manga (gekiga) and 1980s Japanese punk graphic culture. Heavy black masses, dense and dramatic mark-making, and textures reminiscent of overexposed photocopies or imperfect print processes evoke a physical, almost aggressive visual narrative. The composition operates like an expanded comic panel — freezing a charged moment of sonic energy.
The structure appears chaotic yet is consciously constructed: overlapping layers, abrupt crops, and areas of visual density coexist with deliberate negative spaces. Typography is embedded within the texture rather than imposed hierarchically, reinforcing the experimental and self-produced spirit of the project. The result is a visceral and material piece that represents a visual extension of the live act: intense, tactile, and uncompromising.
